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BBC pulling back from the DAByss?

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Simply because Tim Davie, the BBC’s new radio chief, has a background in advertising and marketing, that isn’t a reason to assume everything he says is a lie. It’s more charitable to say he’s well practiced in the dark acts of spinning, having learnt the trade at Pepsi and Proctor and Gamble. And so you … Read more

RIP, Pirate Bay (Notes on an Exit Strategy)

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“So The Pirate Bay has executed the Web 2.0 business plan to perfection: give someone else’s stuff away for free – then find a bigger idiot to buy the company.” It’s actually not so different from the potted history of every media company that rises to popularity on the back of a new medium – … Read more

Spotify’s numbers – an exclusive peek

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A month on, I’m still reading that Spotify’s financials and subscriber numbers are a mystery. Not here, they’re not.

Move over Fifty Quid bloke – and make way for 14p man.

Statements seen by The Register indicate that’s all the hit music service Spotify makes per user from its advertising-supported business. The difference is the middle-aged spender coveted by the movie, games and music businesses plunks down £50 per week – but Spotify earns its 14p per user per month.

The figures – which we can disclose for the first time – make for interesting reading. They confirm Spotify’s explosive growth – topping half a million registered users in the UK in May from a standing start in January.

But revenues at this stage are negligible. Advertising income was just over £82,000 last month, hence the 14p figure. We can also reveal that despite the phenomenal growth, the takeup of the tenner-a-month subscription program is small, and as a percentage of users, is falling.

Fewer than 17,000 UK users were signed up to Spotify Premium in May, an increase of 2,700 over the previous month – despite the service adding 170,000 registered members overall.

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“A country bumpkin approach to slinging generalizations around”

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Anderson plagiarism

WiReD magazine Editor-in-Chief Chris Anderson has copped to lifting chunks of material for his second book Free from Wikipedia and other sources without credit. But it could be about to get a lot worse.

In addition to the Wikipedia cut’n’pastes, Anderson appears to have lifted passages from several other texts too. And in a quite surreal twist, we discover that the Long Tail author had left a hard drive backup wide open and unsecured for Google to index, then accused one of his accusers of “hacking”.

Does the WiReD editor and New Economy guru need basic lessons in how to use a computer?

Waldo Jaquith of Virginia Quarterly Review unearthed a dozen suspect passages after what he called “a cursory investigation”, and posted his findings here on Tuesday. Wikipedia entries for ‘There Ain’t No Such Thing as a Free Lunch’, ‘Learning Curve’ and ‘Usury’ had been pasted into Anderson’s book.

In addition to Wikipedia citations, which Anderson reproduced with the errors intact (oops), Jacquith suggests he also lifted from an essay and a recent book. Presented with the evidence, Anderson blamed haste and (curiously) not being able to decide on a presentation format for citations, for his decision to omit the citations altogether. Other examples were “writethroughs”, he said.

Then lit blogger Edward Champion documented several more examples which he says show

“a troubling habit of mentioning a book or an author and using this as an excuse to reproduce the content with very few changes — in some cases, nearly verbatim.”

Champion’s examples of churnalism include blog posts, a corporate websites and (again) Wikipedia.

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Inside Adam Curtis’ funhouse

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After a few promises not to spoil the plot, I stepped through Punchdrunk’s It Felt Like A Kiss while the sets were being built Read more at The Register

A Copyright Summit diary

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Anecdotes about treating Korean internet addicts, Charlie Nesson, and the Comic Book Store Guy. The strong ‘negative’ rating suggests at least one of these touched a nerve. Dr Yong-Kyung Lee, head of Korea Telecom and a policy advisor to the Korean government, amazed delegates with his descriptions of high tech Korea. Lee was a Bell … Read more

‘Thousands’ sign up for legal P2P

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Tens of thousands of students have signed up to pay for a legal P2P music program in US universities, set to start later this year in experimental form. It’s Choruss, the incubator hatched by Jim Griffin – a long-time advocate of licensing P2P sharing on networks.

Choruss won’t ultimately be in the retail or service business, Griffin told us in Washington DC today – but it may provide an “umbrella” for managed service companies such as Playlouder MSP, the technology partner for the suspended Virgin Unlimited music service. “We’re not in the business of distribution,” he said. Griffin was also on a panel at the biennial World Copyright Summit, organised by CISAC, the global organisation for collective rights management societies.

Griffin says this year’s phase of Choruss is designed to experiment with pricing. Different colleges will get different pricing schemes.

“The plan is to use next school year to run tests and experiments,” he said. Only after the scheme has been running will an assessment be possible – but Griffin told Summit delegates that, “We’ve had students tell us it’s worth $20 a month – to share what they want to share.”

The fact that such large numbers have volunteered to pay for a P2P service defies the conventional music industry wisdom that the only way to compete with the pirates is with free offerings. It also shows how much Choruss has evolved since it first broke the surface last April, when talk was of opting students in automatically, in return for a “coventant not to sue”.

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