Songwriters pal with IT to counter the Google lobby

There’s a new lobby group in town – but unusually, this one unites traditional adversaries from tech, telecoms, and media companies. Backers include the American Songwriters Guild representing creators, Microsoft, Cisco, and AT&T, and media companies including Viacom and NBC. Everyone but Google, it seems.

The launch in New York today was well attended by songwriter’s reps. Arts and Labs’ mission, the group says, is “robust and intelligent networks needed for the swift and safe delivery of the online content consumers demand.”

Which very much sounds like a counterpoint to “Net Neutrality” and similar freetard-friendly campaigns – although everyone present in New York today denied that Neutrality was an impetus in the creation of the group.

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MySpace Music hears the antitrust song

News Corporation and the major record labels are facing antitrust questions about the blockbuster MySpace Music venture – even before the site has launched.

MySpace Music is billed as the biggest music retail launch of the year. It’s a one-stop shop backed by the cross-media muscle of Rupert Murdoch’s media empire, with the three biggest record labels. The site promises to offer everything from downloads to ringtones to concert tickets, backed by the “street” cred of the MySpace brand, and a blockbuster launch is expected this week. Astronomical valuations – $2bn – have already been placed on the service, which MySpace insiders want to become the ‘internet’s MTV’.

The problem? Not everyone can play. Independents say they’re being frozen out of the new venture. No independent music company has inked a deal with the News Corp, and independent labels report that they’ve been blocked from uploading their music. And since MySpace Music is a joint equity venture between News Corp and the three biggest labels, which control 70 per cent of the US recorded music business, the trouble might only be starting.

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Peak oil: postponed

Oil supplies will actually last for far longer than our politicians think, the scaremongers fear, and the oil companies tell us. So says Dr Richard Pike, head of the Royal Society of Chemistry, and someone who isn’t afraid to stir controversy.

Whither, then, Peak Oil?

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Freytards, fanbois and feudalism

British digital music company 7Digital claimed a coup yesterday by becoming the first online music store to carry DRM-free catalog from the “Big Four” major record labels. Calling it a coup is misleading, however. It’s really further confirmation that the top of the music business is run along feudal lines: closer to the 12th century … Read more

Baidu: China’s nonstop music machine

Baidu is renowned as China’s glittering internet success story, and as the start-up that gave Google a bloody nose. It dominates the web in the world’s second biggest economy with 70 per cent market share, and on Wall Street carries a market cap of almost $12bn.

But Baidu’s success comes at a price, for the legitimate music business, for the development of China and of its intellectual property (IP) law, and for any internet company wishing to do business in China.

Baidu owes its success to its MP3 Search service, which takes surfers directly to music. It’s known as “deep linking”, and early this year, sound recording owners represented by IFPI filed a copyright infringement case against Baidu, claiming damages worth $9m.

Baidu points to unlicensed music

Yet the scale of Baidu’s operation, uncovered by a forensic six-month investigation conducted in China for The Register, has surprised the music business.

“Although we already had some doubts about Baidu mp3 search, when we saw the investigation results presented, it was really a shock,” Susanna Ng, EMI Music Publishing Managing Director, Asia Pacific told China’s Fortune Times.

Music searches using Baidu return results that are heavily skewed in favour of unlicensed music, while they rarely return search results for licensed music sites. Meanwhile, the unlicensed MP3s appear to systematically move around a complex network of domains in response to infringement notices.

Chinese web surfers may be forgiven for missing the news. Baidu fails to link to news stories critical of the company, including some of the findings below; these have been covered only by a handful of publications within China. It’s a chilling reminder of the ability of a web search engine to control and shape public discourse.

We’ll explain what Baidu does, and why it’s in trouble. And the grim prospects for anyone hoping to build an internet business in China — with an unstoppable Baidu.

What does Baidu do?

Most full-length recorded music in China is unlicensed, infringing material. Some estimates put the figure as high as 98 per cent. A popular act can expect to sell as few as 2,000 copies. Yet China is not quite the lawless frontier these figures suggest.

In March this year, another Chinese top five music search engine, Zhongsou had its servers seized and subjected to the maximum fine for copyright infringement by state administration authorities. This was the first public case of a music search engine being convicted for hosting MP3 files. Government appointed bodies such as the Music Copyright Society of China (MCSC) and the China Audio-Video Copyright Association (CAVCA) are both active in attempting to support businesses that reward the creators. Baidu’s notorious MP3 Search is the biggest problem they face.

MCSC’s Director of Legal Services Liu Ping used the following real life analogy to describe deep-linking:

“If Google’s search works as a guide by giving directions and telling you the address while taking you right to the door of your destination, Baidu’s search brings you directly through the door, right inside the room and helps you take away the CD from shelves without the owner’s permission.” Liu Ping considers this to be beyond the scope of a search engine, and a practice which moves Baidu into the area of transmission of music.

Baidu has amassed numerous lawsuits over the practice, with MCSC and the IFPI involved in a number of these. Baidu’s defence is that as a network service provider it cannot be responsible for the legality of the sites it indexes and is therefore not liable for damages. Nevertheless, Article 23 of China’s Copyright Law says that it is jointly liable “where it knows or has reasonable ground(s) to know” that the linked works are infringing material.

However, our investigation suggests close enough linkage between Baidu’s business and the infringing material for it to be viewed as something more than ‘just’ a network service provider.

Baidu’s MP3 Search was monitored for six months at the end of last year, analyzing search results using 600 songs spread across multiple genre. A number of areas that seemed incongruous to a pure and neutral search engine were discovered, and three details emerged.

Firstly, a network of mysterious sites with closely related domain names contributed more than 50 per cent of the search links returned by Baidu. The songs hosted on the mystery sites were unreachable except through the Baidu search engine. Furthermore, infringement notifications resulted in unlicensed songs simply moving from one of these domains to another.

Secondly, Baidu does not link to the two leading paid download sites in China, 9Sky and Top100. While Google for example will return results for a song search to licensed providers (7Digital, Amazon, eMusic or even iTunes) as well as Torrent trackers, Baidu is much more selective.

Thirdly, music blogs and forums naturally form a significant source of music search links for any search engine. But with Baidu, these contributed to only 30 per cent of the music search links on Baidu’s MP3 Search.

The cumulative effect is to keep the “free music flowing” for Baidu’s users — with devastating consequences not just for creators, but for rival internet businesses.

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The Great Circular Awards Ceremony

Is there a more incestuous and self-congratulatory scene anywhere outside the fashion business? What a strange world it is, the world of “digital rights” activism. Campaigners pause only to pat each other on the back. Last week, anti-copyright campaigners Public Knowledge revealed their annual award winners. The group’s president Gigi B Sohn proudly announced the … Read more

The Large Hadron Collider: Anton Wylie

The LHC comes at a crucial time for particle or quantum physics. In particular, it comes at a crucial time for the dominant theory, known as the Standard Model. The Standard Model has been to modern particle physics rather what the periodic table was to 19th century chemistry. It served both to organise the known … Read more

How the middle classes’ superstitions keep Africa poor and hungry

The man dubbed the “King of Climate Porn” achieved notoriety at the turn of the decade as the architect of the Foot and Mouth holocaust – which unnecessarily slaughtered seven million animals, and cost the country billions of pounds. But King astonished observers by saying something sensible last week – and he promises to do … Read more

Unravelling the history behind Google’s Trojan Horse

When people buy software – buy it in seriously large amounts – it isn’t just today’s binary they’re choosing. They’re buying what they think is a bit of the future – they’re buying a piece of risk insurance. This explains why very mature and well-proven systems often lose out to the Newest Kid on the Block. It also explains the enduring effectiveness of FUD and Vapourware.

And it’s not just software. From TP monitors, to minicomputers, to Novell Netware, recent history is full of examples of perfectly splendid systems being thrown out and replaced with something that doesn’t live up to the billing – and perhaps never will. Which sounds wacky, but that choice is being made on the rational calculation that the software or hardware of choice today won’t be made or supported, or the standards that bind the parts of the system together will become obsolete. (Which leads to the same thing.)

Sometimes a brave company bucks the trend. Most famously Microsoft refused to “eat its own dog food”, and stood firm against the move to client/server computing running PC or Unix-based databases like Microsoft SQL Server, instead insisting that its mission-critical accounts department ran on, er, an IBM AS/400 mini.

But by and large, the strategy works very well for companies that trumpet a “paradigm shift”, or “new era in computing”, and convince people that they own a secret part of the future – one that no one else can yet see. It worked for Microsoft, and Google hopes it will work for it, too. The Chrome browser today is little more than a piece of demoware, but it’s not just about “today”, is it?

Before we see what Google is hoping to achieve with Chrome, let’s take a look at a precedent from history that I find quite spooky.

Old-timers may excuse this brief wallow in nostalgia.

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Happy Birthday to GNU

No longer will the Free Software Foundation be the target of advertisements for novelty condoms, Ibiza package holidays and extreme sports gear. It’s leaving the 16-24 yoof demographic behind.

Today the GNU project celebrates its quarter-century. It was on 27 September 1983 that MIT slacker Richard M Stallman made his announcement that he intended to create a complete Unix-like system that would be completely open and hackable, giving anyone the right to modify and distribute the work. The Free Software Foundation is getting its celebration in early.

The innovation of the GPL software licence only followed some years later, but it was driven by GNU’s needs, and it was to have profound consequences for the computer industry.

25 years ago, Stallman saw the project as a way of continuing the community ethic of shared code, something he felt was in danger of being eclipsed by the arrival of new, commercial software companies, seeking to capitalize on work in the labs. It’s not so strange if you look at it through Stallman’s eyes: software was a tool that had always been open, hackable and redistributable, and now mediocre people in ill-fitting suits were trying to steal that freedom… by making a quick buck with dodgy products, and putting very little back.

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