Stories

Obama’s got a Google problem

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Obama has created an exquisite problem by hiring so many senior executives from Google – some of the Oompa Loompas don’t seem to realise they no longer work for the company. Now a Congressman has called for an enquiry.

The issue was made apparent when a trail of correspondence by administration official Andrew McLaughlin was exposed recently. McLaughlin is Obama’s deputy CTO – a freshly minted post, with CTO meaning either Citizens Twitter Overlord, or Chief Technology Officer – we believe it’s the latter. He was previously Google’s chief lobbyist, or ‘Head of Global Public Policy and Government Affairs’.

McLaughlin’s contacts were also exposed. In an irony to savour, the exposure was by Google itself, as it introduced its privacy-busting Buzz feature in February. As our Cade pointed out, it would be hard to imagine a better Google story.

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For me, the iPad is just a port short

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Quite unexpectedly, it’s looking like a useful bit of daily computing kit.

It hasn’t taken long for the iPad to be seen as a bit more than a pointless and expensive luxury lifestyle accessory. Just nine weeks – and in that time the hardware spec hasn’t changed at all.

But last week’s iPhone 4.0 preview, which isn’t due on the iPad until autumn, already makes it look much more attractive as a netbook or laptop replacement than it did on Wednesday.

I’ll admit I truly loathe netbooks. When the first models emerged at least they had their size going for them. Now they’re bigger and more expensive, but mostly dog slow.

Size and weight matters to me, and the iPad has had these advantages from the start. The disadvantages of an iPad over a laptop were many, but the lack of multitasking was the biggest. That’s been fixed now – at least well enough so most people don’t notice.

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Digital Economy: a Sketch from the Commons

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Live TV and internet coverage allowed the nation to feel grubby as the Mandybill was shunted through the House of Commons late last night. The government’s replacement for Clause 18 – a catch-all illiberal web-blocking measure that few in the music business ever expected to survive – was approved, and the photographers cemented a spectacular victory by crushing the orphan works clause.

But not before a bit of spirited resistance – or token posturing – take your pick, for it in truth it was a bit of both, to the copyright infringement clauses by Tom Watson, Austin Mitchell, Bill Cash and other backbenchers.

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Kumbaya is not a legal defence

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Maybe photographers have a guardian angel, after all. The Stop 43 campaign to throw out the orphan works clause may be the only part of the vast Digital Economy Bill where activists have achieved their goal – rather than made things worse. With the Tories pledging to drop the clause, it’s unlikely to survive the … Read more

Digital Economy marathon reaches Wash Up

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The Mandybill looks set to become law, with its teeth and gold fillings intact.

Conservatives have vowed to oppose three controversial clauses of the Digital Economy Bill in the next 48 hours of legislative horse trading, but will keep the online file sharing portions intact. Photographers have been more persuasive than the anti-copyright lobby: Clause 43, involving collective licensing and orphan works, is one of the three that Tory culture secretary Jeremy Hunt has said must go.

The others are Clause 1 and Clause 29, both of which involve adding expanding the role of uber-quango Ofcom.

Hunt slammed the Bill, calling it “a digital disappointment of colossal proportions”. He said the government had ducked the issues of the digital radio switchover and the provision of local news, and failed to clarify the role of the BBC or strengthen independent TV production. The Tories said they may review these issues if the Mandybill becomes law. The piracy measures, while not perfect, reflected the Commons consensus that something needed to be done to deter online copyright infringement and protect jobs.

To the surprise of the music business, it means that the illiberal Section 18, giving Courts powers to block access to sites that exist largely to deliver infringing material, will survive. The section, previously Section 17, was introduced in response to industry concerns about cyberlockers such as Rapidshare.

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Open Rights Group musters Flash Mob… of 7

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Sorry ORG

Music House — HQ for a number of the UK music industry’s trade groups — was in a lock-down situation this lunchtime as an Open Rights Group Flash Mob descended, protesting against the Digital Economy Bill.

As many as seven protesters could be seen outside the Berners Street offices, according to staff who phoned us from beneath their desks. This is slightly down on the nine who had pledged their support on Facebook.

Twitter was a hive of activity, too. We’d counted two Tweets on the protest in an hour. Photographic evidence below suggests that after an hour, the number had swelled to almost double figures.

In a simultaneous gesture, over at the BPI’s HQ, three protesters handed in a “disconnection notice” to chief executive Geoff Taylor, who apparently wasn’t in.

Music House, the focus of the main protest, is home to the PRS For Music performing rights society, the Music Publishers Association, the Musicians Union, the Music Managers Forum, the British Academy of Composers Songwriters and Authors, and umbrella trade group UK Music.

The ORG’s FlashMob was trailed as a “Stop Disconnection April Fools Flashmob” with the question “Are we being made fools of?”

But with a turnout of less than a dozen, that’s a question that answers itself, really.

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Associated Newspapes, GMG to pool newsrooms

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Marketing teams at both newspapers discovered a new super-segment of the declining newspaper market they have informally dubbed ‘the new authoritarian’. According to one circulation manager, this is a reader who “wants to find out what everybody is doing, and stop them doing it” Read more at The Register

BBC, big business leer creepily at orphan works

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Big publishers and the BBC have come out to lobby for the controversial Clause 43, that part of the Mandybill that strips photographers of their historical rights.

Is that surprising? It should be, because Clause 43 is the section that deals with ‘orphan works’ – and according to the Business department BIS, the only people who are supposed to benefit from the unique powers it confers are special parties: copyright libraries, such as the British Library. These are non-commercial operations. Clause 43 was never intended act as a leg-up for tight-fisted publishers.

But here they are.

As we noted recently, Clause 43 gives new powers to use an image for which the owner can’t be found. And the prospective user doesn’t really have to try too hard. Effectively the state “nationalises” orphans and gives a free collective licence to anyone who asks.

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